The Profound Humanity of Johan Liebert: A Masterpiece of Modern Villainy in Naoki Urasawa’s ‘Monster’ — SOC1139

Aliya Azzahra Bachtiar
2 min readAug 4, 2023

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The long and winding discussion surrounding the greatest villain in modern literature remains unending, yet today, I shall present my strongest contender, who, in my opinion, deserves the winning spot: Johan Liebert from Naoki Urasawa’s masterpiece, “Monster.”

Many other formidable antagonists may come to mind — The Joker, Judge Holden, Long John Silver, and even Sauron — with imposing physiques, darker intentions, and a trail of greater casualties caused by their malevolence. Nonetheless, I have chosen Johan, a seemingly secondary character, for one significant reason: his profound sense of realism and humanity.

Johan’s character is a nuanced and complex study in the depths of the human psyche. Time and again, when faced with moral dilemmas, I find myself pondering, “What would Johan do?” and then deliberately choosing the opposite course of action. Strangely, despite his wickedness, I cannot help but empathize with him. He forces me to confront the motivations behind my every action — am I a product of my own choices, or am I merely a result of societal conditioning? Johan keeps me on constant alert, challenging me to introspect and question my own beliefs and values. For this reason, I firmly assert that he is the best-written villain in any medium.

The very essence of Johan’s evil lies in the universality of the human condition. He possesses the capability to plant ideas in the minds of others, a power that makes him dangerously potent. Throughout history, ideas and beliefs have proven to be the most potent weapons known to humanity.

This raises a haunting question: who truly bears the blame? Is it the one who gives birth to the idea or the one who chooses to embrace it?

As tempting as it is to delve into these profound questions, for now, I shall refrain from doing so. However, it is evident that the author intended to provoke such contemplation among the audience, and it was executed with unparalleled beauty and tragedy. The narrative contains some of the most authentic and honest dialogues ever witnessed, culminating in a perfect ending that captures the complexity of human emotions and the intertwining of lives. It takes the reader on a journey to the deepest depths of hell, only to bring them back to where it all began, emphasizing the essence of human nature: the power to make choices. In the end, the right choice, without fail, is always to love.

In conclusion, Johan Liebert stands as an exceptional literary creation, portraying the darkness and light within all of us. His authenticity, complexity, and hauntingly human traits make him an unparalleled villain in the realm of modern literature. Through Johan’s chilling journey, Naoki Urasawa gifts readers with a profound exploration of the human soul and the choices that define us as individuals. “Monster” leaves an indelible mark, reminding us that the line between villainy and virtue is often blurred, and our capacity to choose love will forever define what it means to be human.

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